Category: acrylic

Allah! You be the witness that I consider any violation of the rights of orphan and woman as an enormity entailing serious consequences!”
~ Prophet Muhammad (saw)

Description: this painting denounces the mistreatment of grieving widows and children. Unfortunately this practice is rampant in many African countries. Ill-intended relatives and in-laws seem to rejoice when the head of the household passes away because for them it represents an opportunity to not only prey upon the deceased man’s children and wife but also to scheme in order to embezzle whatever property the deceased owned and to steal the money the community donated for the deceased man’s children. Often times these oppressed children and widows end up being homeless and destitute as a result of the persecution they endure at the hands of relatives. Working on this painting and going through its intensity was a profound experience for me because even though it depicts the harm ill-intended family members inflict upon helpless widows and orphans, it more so shows the triumph of Divine Mercy, Love and Justice. The Persecuted Widow poem can be read below.

~ The Persecuted Widow ~

The Beloved : “O My servant, return to Me!”
Lo! A father’s soul gently slips out of his body.
Ill-intended family members immediately prey
upon the departed soul’s widow and orphans,
violating their rights; it is but a plot
to destitute them.
Woe to the ones who covet
the spiritual and material inheritance
a late father leaves to his children.
You see, Light exposes all obscure intent
aimed at the helpless as such deliberate
oppression reaches the unseen worlds,
it unleashes forces to establish Justice.
In death, there is Life magnified as Love itself.
Remember the best of the Creation (saw) when he said:
” O Allah (swt), You be the Witness that I consider
any violation of the rights of orphan and woman
as an enormity entailing serious consequences!”
No authentic tradition on Earth advocates
the victimization of the vulnerable
Divine Mercy governs the Universe;
The Beloved is the Light of the Heavens and the Earth.

© 2007 Aida Toure.

Description: 22″x28″ acrylic on canvas. In the Islamic tradition, The Lotus of The Limit is a gigantic celestial Tree that represents the point beyond which no one passes but the beloved (saw) of The Divine. This painting was inspired from a reality that is beyond the seven heavens and which was experienced by Prophet Muhammad (saw) during his nocturnal Miraj’ or Ascension. The poem that offered this painting was Sidrat Al Muntaha, The Lotus of The Limit.

~ Sidrat-al-Muntaha: Lotus of The Limit ~

Everywhere I look
it circles and circles!
My heart curves

to the calligraphy
of your Love.
Muted by Sound

and shapelessness,
ego falls off itself
and bows with joy,

all of being now
surrendered as if the letters
printed of the Scriptures.

Each page, an immaculate cloak
around the gentle soul
who whirls to the tone

of the Return.
Bewildered by the Book
of the Universe,

your inner being leaps
from worlds to worlds
wild yet wise, it reads Nature

Jesus (as) appears upon the Word
Moses (as) nearby
and Muhammad (saw) passes

the Lotus of the Limit
to unite with the Light
that made him.

There is some universal prayer
which the prophets (as) lead,
all in unity; lo! Sura Al Kahf

strolls by the eye
and right then Aida’s
brush dries out!

2007 copyrights Aida Toure.

Description: 18″x14″ acrylic on canvas panel. This painting celebrates the lovers’ aspirations to follow the prophets (as) in their unity. The center of the piece here represents the inner/outer Kabba/Center where the prophets (as) of The Divine converged, leaving their luminous footprints for us to trace and follow with grace and love. “The Prophets Footprints” started from this poem.

~ The Prophets’ Footprints ~

Look at what you started!
Love has knocked again…
A kiss on your hand’s scent
and the soul collapses, every time
with the wish to no longer be.

Who will attenuate this tender
teasing that only you can do?
You drop red gold nuggets
on the believers’ prayer mat,
Love nurses their fragments

and the royally wretched
ego walks out but to follow
the prophets (as) footprints.
We delight in not-being
and in laying at your feet,

alternately.
There is the flirtation
we wanted: continuous,
lingering long enough
to silence the bells

of grief, of temporality.
Your kindness has left
our shy hearts confounded
wondering how we are
worthy of all this Mercy.

2007 copyrights Aida Toure.

(SOLD)

Description: “Sama” is encompassed by the notion of Sound that propels the soul toward The Beloved. This piece represents the innermost fulfillment of Longing, it also demonstrates the cosmic whirling we all participate to, consciously or not, it is in our nature to revolve. One of the most beautiful visions of Surrender is the whirling dervishes who are mirrors of the spheres and divine praising. The poem that conveyed “Sama” visuals can be found here.

~ Sama ~

Chords, loves and signs
there is some sound
in the soul’s eye

silent yet loud
blue tambourines then
floating red harps now;

all as one, circularly
enchanted as the globes’ Zikr
our prophets (as) repeated.

Hands and lips smacked
by Tenderness itself,
we play invisible violins

and cosmic Neys
by the lovers’ ear
and lo! they sob of all

their emotions’ grace,
following the course
of longing and depth,

they shed themselves
to wear the subtle Cloth;
cloaked in its glow,

they dance and chant
in the language Djibril (as)
taught the saints (as).

© 2007 Aida Toure.